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Ochre Color Codes

Ochre is a mid-tone, saturated orange with the hex code #CC7722, RGB values of 204, 119, 34 and an HSL value of hsl(30, 71%, 47%).

HEX#CC7722
RGB204, 119, 34
HSLhsl(30, 71%, 47%)
HSV30°, 83%, 80%
CMYK0%, 42%, 83%, 20%
LAB58.18, 27.34, 56.82
CIELCHuv58.18, 86.60, 36.52°
Nearest Pantone
PMS 153 C ΔE 5.4 · approximate
Nearest CSS name
chocolate ΔE 10.0

Community source color-name-list, community color-name index

Ochre Color Hex Code

The Ochre color hex code is #CC7722. Those six digits are three pairs, CC for red, 77 for green and 22 for blue, which is the same triplet a browser reads from the CSS value below.

#CC7722

Ochre Color RGB Code

The Ochre RGB code is rgb(204, 119, 34). Red carries the most light at 204 of 255, which is what puts this color where it sits on the wheel.

rgb(204, 119, 34)

Ochre Color HSV Code

The Ochre HSV code is 30°, 83%, 80%. Read it as a hue of 30 degrees, 83% saturation and 80% value, which is the form most color pickers use because moving one number changes one thing.

30°, 83%, 80%

Ochre Color CIELChuv Code

The Ochre CIELCHuv code is 58.18, 86.60, 36.52°. Unlike hex or RGB this one is perceptual: lightness 58 means mid-toned to the eye rather than to the screen, and chroma 87 is how far it sits from grey.

58.18, 86.60, 36.52°

Tonal scale

What are Ochre Color Palettes?

A shade mixes toward black, a tint toward white, a tone toward grey. Every step keeps the hue and is copy-ready.

Shades, toward black

Tints, toward white

Tones, toward grey

Open in the shades & tints generator →

Palettes

What are Ochre Color Palette Codes?

Each of these is a hue rotation from #CC7722. They are generated, not curated, so they are exact.

Complementary

Directly opposite sits #2277CC, a mid-tone, saturated azure blue. No other pairing separates two hues further, so this is the one to reach for when a single element has to win attention. Both are saturated, so give the complement much less area than the base or the two will fight.

Analogous

#CC2222 and #CCCC22 sit 30 degrees either side. All three share most of their hue, so the set reads as one family instead of three separate decisions. Good for backgrounds and for state variations that should not announce themselves.

Triadic

#22CC77 and #7722CC complete an even 120 degree split. Three fully independent hues, so one has to lead: keep this base dominant and let the other two appear in small quantities.

Split-complementary

Instead of the direct complement, this takes the two hues either side of it: #22CCCC and #2222CC. Almost the same contrast, without the edge shimmer a true complementary pair produces at high saturation.

Tetradic

Two complementary pairs forming a rectangle: this base with #2277CC, and #22CC22 with #CC22CC. The richest of the five and the hardest to balance, so treat this base as the lead and hold the other three well back.

See these on the color wheel →

Accessibility

Contrast checker: is Ochre accessible?

Measured against white and against black, with a separate verdict for each element type. Small text, large text and UI components have different thresholds, so one pass or fail for the whole color would be wrong roughly a third of the time.

White background

3.37:1

3.37

contrast ratio on white background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Fails Fails
Large text needs 3:1 / 4.5:1 Passes Fails
UI component needs 3:1 Passes n/a

Black background

6.23:1

6.23

contrast ratio on black background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Passes Fails
Large text needs 3:1 / 4.5:1 Passes Passes
UI component needs 3:1 Passes n/a

Against white Ochre reaches 3.37:1, enough for large text and UI borders, but short of the 4.5:1 that body copy needs. Darken it for anything set small. Text placed on it should be black, which gives 6.23:1.

Check Ochre against another color →

Color vision

How Ochre looks with color blindness

Around 300 million people see color differently from the way it is specified. Each card shows the actual color beside how it appears, and how common that form of vision is.

Protanopia

About 1% of men
actual

#AEAD43

Ochre changes substantially here. ΔE 42.3

No working red cones. Reds darken sharply and drift toward the same muddy olive as green.

Deuteranopia

About 1% of men
actual

#B2B849

Ochre changes substantially here. ΔE 46.5

No working green cones. With the milder deuteranomaly at nearer 6% of men, this is by far the most common form, and the one worth designing around.

Tritanopia

About 1 in 10,000
actual

#C95457

Ochre changes substantially here. ΔE 40.5

No working blue cones. Blues shift toward green and yellows toward pink. Rare, and unlike the others it is not sex-linked, so it affects men and women equally.

Achromatopsia

About 1 in 30,000
actual

#8C8C8C

Ochre changes substantially here. ΔE 63.1

No color vision at all. Also a fair proxy for how the color survives a greyscale print or a failing screen.

To a deuteranope, the most common form, Ochre reads as #B2B849. That is a shift of ΔE 46.5, so it is a different color to roughly one man in sixteen. It sits in the red end of the spectrum, which is exactly where red-green deficiency does its damage. Never pair it with a green of similar lightness to signal a difference in meaning: to a large minority the two become one color. The widest shift is under deuteranopia, at ΔE 46.5. The rule this leads to needs no simulator: never let color be the only thing carrying a message. Add a label, an icon, or a clear difference in lightness, and the problem disappears for everyone.

Simulate a whole palette →

Snippets

Using Ochre in code

:root {
  --ochre: #CC7722;
}

.example {
  color: var(--ochre);
}