Find Color Codes

Crimson Color Codes

Crimson is a mid-tone, saturated red with the hex code #DC143C, RGB values of 220, 20, 60 and an HSL value of hsl(348, 83%, 47%).

HEX#DC143C
RGB220, 20, 60
HSLhsl(348, 83%, 47%)
HSV348°, 91%, 86%
CMYK0%, 91%, 73%, 14%
LAB47.04, 70.92, 33.60
CIELCHuv47.04, 139.64, 8.09°
Nearest Pantone
PMS 199 C ΔE 3.2 · approximate
Nearest CSS name
crimson ΔE 0.0

Source CSS Color Module Level 4 keyword 'Crimson'

Crimson Color Hex Code

The Crimson color hex code is #DC143C. Those six digits are three pairs, DC for red, 14 for green and 3C for blue, which is the same triplet a browser reads from the CSS value below.

#DC143C

Crimson Color RGB Code

The Crimson RGB code is rgb(220, 20, 60). Red carries the most light at 220 of 255, which is what puts this color where it sits on the wheel.

rgb(220, 20, 60)

Crimson Color HSV Code

The Crimson HSV code is 348°, 91%, 86%. Read it as a hue of 348 degrees, 91% saturation and 86% value, which is the form most color pickers use because moving one number changes one thing.

348°, 91%, 86%

Crimson Color CIELChuv Code

The Crimson CIELCHuv code is 47.04, 139.64, 8.09°. Unlike hex or RGB this one is perceptual: lightness 47 means mid-toned to the eye rather than to the screen, and chroma 140 is how far it sits from grey.

47.04, 139.64, 8.09°

Tonal scale

What are Crimson Color Palettes?

A shade mixes toward black, a tint toward white, a tone toward grey. Every step keeps the hue and is copy-ready.

Shades, toward black

Tints, toward white

Tones, toward grey

Open in the shades & tints generator →

Palettes

What are Crimson Color Palette Codes?

Each of these is a hue rotation from #DC143C. They are generated, not curated, so they are exact.

Complementary

Half a turn away is #14DCB4, a light, saturated teal. This is the widest separation the wheel offers, and the reason complementary pairs are the default for anything that must stand out. Both are saturated, so give the complement much less area than the base or the two will fight.

Analogous

Either side sit #DC14A0 and #DC5014, 30 degrees out. Low tension by construction: useful when you need several related tones that still feel like one choice.

Triadic

#3CDC14 and #143CDC complete an even 120 degree split. Three fully independent hues, so one has to lead: keep this base dominant and let the other two appear in small quantities.

Split-complementary

Instead of the direct complement, this takes the two hues either side of it: #14DC50 and #14A0DC. Almost the same contrast, without the edge shimmer a true complementary pair produces at high saturation.

Tetradic

Two complementary pairs forming a rectangle: this base with #14DCB4, and #A0DC14 with #5014DC. The richest of the five and the hardest to balance, so treat this base as the lead and hold the other three well back.

See these on the color wheel →

Accessibility

Contrast checker: is Crimson accessible?

Measured against white and against black, with a separate verdict for each element type. Small text, large text and UI components have different thresholds, so one pass or fail for the whole color would be wrong roughly a third of the time.

White background

4.99:1

4.99

contrast ratio on white background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Passes Fails
Large text needs 3:1 / 4.5:1 Passes Passes
UI component needs 3:1 Passes n/a

Black background

4.21:1

4.21

contrast ratio on black background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Fails Fails
Large text needs 3:1 / 4.5:1 Passes Fails
UI component needs 3:1 Passes n/a

Crimson clears WCAG AA against white at 4.99:1, so it is safe for body copy as well as headings. Text placed on it should be white, which gives 4.99:1. It is a highly saturated color, so it will dominate anything it sits beside. Give it space rather than surrounding it with other strong colors.

Color vision

How Crimson looks with color blindness

Around 300 million people see color differently from the way it is specified. Each card shows the actual color beside how it appears, and how common that form of vision is.

Protanopia

About 1% of men
actual

#ABAA35

Crimson changes substantially here. ΔE 90.5

No working red cones. Reds darken sharply and drift toward the same muddy olive as green.

Deuteranopia

About 1% of men
actual

#B3BC34

Crimson changes substantially here. ΔE 99.0

No working green cones. With the milder deuteranomaly at nearer 6% of men, this is by far the most common form, and the one worth designing around.

Tritanopia

About 1 in 10,000
actual

#D72F2E

Crimson shifts noticeably here. ΔE 11.5

No working blue cones. Blues shift toward green and yellows toward pink. Rare, and unlike the others it is not sex-linked, so it affects men and women equally.

Achromatopsia

About 1 in 30,000
actual

#6F6F6F

Crimson changes substantially here. ΔE 78.5

No color vision at all. Also a fair proxy for how the color survives a greyscale print or a failing screen.

To a deuteranope, the most common form, Crimson reads as #B3BC34. That is a shift of ΔE 99.0, so it is a different color to roughly one man in sixteen. It sits in the red end of the spectrum, which is exactly where red-green deficiency does its damage. Never pair it with a green of similar lightness to signal a difference in meaning: to a large minority the two become one color. The widest shift is under deuteranopia, at ΔE 99.0. The rule this leads to needs no simulator: never let color be the only thing carrying a message. Add a label, an icon, or a clear difference in lightness, and the problem disappears for everyone.

Snippets

Using Crimson in code

:root {
  --crimson: #DC143C;
}

.example {
  color: var(--crimson);
}