Find Color Codes

Light Red Color Codes

Light Red is a mid-tone, vivid red with the hex code #FF7F7F, RGB values of 255, 127, 127 and an HSL value of hsl(0, 100%, 75%).

HEX#FF7F7F
RGB255, 127, 127
HSLhsl(0, 100%, 75%)
HSV0°, 50%, 100%
CMYK0%, 50%, 50%, 0%
LAB68.00, 48.59, 22.97
CIELCHuv68.00, 94.72, 12.17°
Nearest Pantone
PMS 177 C ΔE 3.7 · approximate
Nearest CSS name
lightcoral ΔE 7.0

Community source color-name-list, community color-name index

Light Red Color Hex Code

The Light Red color hex code is #FF7F7F. Those six digits are three pairs, FF for red, 7F for green and 7F for blue, which is the same triplet a browser reads from the CSS value below.

#FF7F7F

Light Red Color RGB Code

The Light Red RGB code is rgb(255, 127, 127). Red carries the most light at 255 of 255, which is what puts this color where it sits on the wheel.

rgb(255, 127, 127)

Light Red Color HSV Code

The Light Red HSV code is 0°, 50%, 100%. Read it as a hue of 0 degrees, 50% saturation and 100% value, which is the form most color pickers use because moving one number changes one thing.

0°, 50%, 100%

Light Red Color CIELChuv Code

The Light Red CIELCHuv code is 68.00, 94.72, 12.17°. Unlike hex or RGB this one is perceptual: lightness 68 means light to the eye rather than to the screen, and chroma 95 is how far it sits from grey.

68.00, 94.72, 12.17°

Tonal scale

What are Light Red Color Palettes?

A shade mixes toward black, a tint toward white, a tone toward grey. Every step keeps the hue and is copy-ready.

Shades, toward black

Tints, toward white

Tones, toward grey

Open in the shades & tints generator →

Palettes

What are Light Red Color Palette Codes?

Each of these is a hue rotation from #FF7F7F. They are generated, not curated, so they are exact.

Complementary

Directly opposite sits #7FFFFF, a very light, vivid teal. No other pairing separates two hues further, so this is the one to reach for when a single element has to win attention. Both are saturated, so give the complement much less area than the base or the two will fight.

Analogous

#FF7FBF and #FFBF7F sit 30 degrees either side. All three share most of their hue, so the set reads as one family instead of three separate decisions. Good for backgrounds and for state variations that should not announce themselves.

Triadic

#7FFF7F and #7F7FFF complete an even 120 degree split. Three fully independent hues, so one has to lead: keep this base dominant and let the other two appear in small quantities.

Split-complementary

Instead of the direct complement, this takes the two hues either side of it: #7FFFBF and #7FBFFF. Almost the same contrast, without the edge shimmer a true complementary pair produces at high saturation.

Tetradic

Two complementary pairs forming a rectangle: this base with #7FFFFF, and #BFFF7F with #BF7FFF. The richest of the five and the hardest to balance, so treat the darkest of the four as the lead and hold the other three well back.

See these on the color wheel →

Accessibility

Contrast checker: is Light Red accessible?

Measured against white and against black, with a separate verdict for each element type. Small text, large text and UI components have different thresholds, so one pass or fail for the whole color would be wrong roughly a third of the time.

White background

2.44:1

2.44

contrast ratio on white background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Fails Fails
Large text needs 3:1 / 4.5:1 Fails Fails
UI component needs 3:1 Fails n/a

Black background

8.59:1

8.59

contrast ratio on black background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Passes Passes
Large text needs 3:1 / 4.5:1 Passes Passes
UI component needs 3:1 Passes n/a

At 2.44:1 against white, Light Red is a fill color rather than a text color. Use it for surfaces, borders and large display type, and set the copy in ink. Text placed on it should be black, which gives 8.59:1. It is a highly saturated color, so it will dominate anything it sits beside. Give it space rather than surrounding it with other strong colors.

Color vision

How Light Red looks with color blindness

Around 300 million people see color differently from the way it is specified. Each card shows the actual color beside how it appears, and how common that form of vision is.

Protanopia

About 1% of men
actual

#D4D37F

Light Red changes substantially here. ΔE 65.0

No working red cones. Reds darken sharply and drift toward the same muddy olive as green.

Deuteranopia

About 1% of men
actual

#DAE27F

Light Red changes substantially here. ΔE 72.5

No working green cones. With the milder deuteranomaly at nearer 6% of men, this is by far the most common form, and the one worth designing around.

Tritanopia

About 1 in 10,000
actual

#FB7F7F

Light Red holds up almost unchanged here. ΔE 1.7

No working blue cones. Blues shift toward green and yellows toward pink. Rare, and unlike the others it is not sex-linked, so it affects men and women equally.

Achromatopsia

About 1 in 30,000
actual

#A6A6A6

Light Red changes substantially here. ΔE 53.7

No color vision at all. Also a fair proxy for how the color survives a greyscale print or a failing screen.

To a deuteranope, the most common form, Light Red reads as #DAE27F. That is a shift of ΔE 72.5, so it is a different color to roughly one man in sixteen. It sits in the red end of the spectrum, which is exactly where red-green deficiency does its damage. Never pair it with a green of similar lightness to signal a difference in meaning: to a large minority the two become one color. The widest shift is under deuteranopia, at ΔE 72.5. The rule this leads to needs no simulator: never let color be the only thing carrying a message. Add a label, an icon, or a clear difference in lightness, and the problem disappears for everyone.

Snippets

Using Light Red in code

:root {
  --light-red: #FF7F7F;
}

.example {
  color: var(--light-red);
}