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Tuscan Red Color Codes

Tuscan Red is a dark, desaturated red with the hex code #7C4848, RGB values of 124, 72, 72 and an HSL value of hsl(0, 27%, 38%).

HEX#7C4848
RGB124, 72, 72
HSLhsl(0, 27%, 38%)
HSV0°, 42%, 49%
CMYK0%, 42%, 42%, 51%
LAB36.72, 22.18, 9.58
CIELCHuv36.72, 35.41, 12.17°
Nearest Pantone
PMS 4985 C ΔE 3.5 · approximate
Nearest CSS name
dimgray ΔE 25.4

Source Wikipedia, List of colors

Tuscan Red Color Hex Code

The Tuscan Red color hex code is #7C4848. Those six digits are three pairs, 7C for red, 48 for green and 48 for blue, which is the same triplet a browser reads from the CSS value below.

#7C4848

Tuscan Red Color RGB Code

The Tuscan Red RGB code is rgb(124, 72, 72). Red carries the most light at 124 of 255, which is what puts this color where it sits on the wheel.

rgb(124, 72, 72)

Tuscan Red Color HSV Code

The Tuscan Red HSV code is 0°, 42%, 49%. Read it as a hue of 0 degrees, 42% saturation and 49% value, which is the form most color pickers use because moving one number changes one thing.

0°, 42%, 49%

Tuscan Red Color CIELChuv Code

The Tuscan Red CIELCHuv code is 36.72, 35.41, 12.17°. Unlike hex or RGB this one is perceptual: lightness 37 means mid-toned to the eye rather than to the screen, and chroma 35 is how far it sits from grey.

36.72, 35.41, 12.17°

Tonal scale

What are Tuscan Red Color Palettes?

A shade mixes toward black, a tint toward white, a tone toward grey. Every step keeps the hue and is copy-ready.

Shades, toward black

Tints, toward white

Tones, toward grey

Open in the shades & tints generator →

Palettes

What are Tuscan Red Color Palette Codes?

Each of these is a hue rotation from #7C4848. They are generated, not curated, so they are exact.

Complementary

Directly opposite sits #487C7C, a mid-tone, desaturated teal. No other pairing separates two hues further, so this is the one to reach for when a single element has to win attention. Neither is especially saturated, so this pairing stays calm enough for large areas of both.

Analogous

#7C4862 and #7C6248 sit 30 degrees either side. All three share most of their hue, so the set reads as one family instead of three separate decisions. Good for backgrounds and for state variations that should not announce themselves.

Triadic

#487C48 and #48487C complete an even 120 degree split. Three fully independent hues, so one has to lead: keep this base dominant and let the other two appear in small quantities.

Split-complementary

Instead of the direct complement, this takes the two hues either side of it: #487C62 and #48627C. Almost the same contrast, without the edge shimmer a true complementary pair produces at high saturation.

Tetradic

Two complementary pairs forming a rectangle: this base with #487C7C, and #627C48 with #62487C. The richest of the five and the hardest to balance, so treat this base as the lead and hold the other three well back.

See these on the color wheel →

Accessibility

Contrast checker: is Tuscan Red accessible?

Measured against white and against black, with a separate verdict for each element type. Small text, large text and UI components have different thresholds, so one pass or fail for the whole color would be wrong roughly a third of the time.

White background

7.30:1

7.30

contrast ratio on white background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Passes Passes
Large text needs 3:1 / 4.5:1 Passes Passes
UI component needs 3:1 Passes n/a

Black background

2.88:1

2.88

contrast ratio on black background

ElementAAAAA
Small text needs 4.5:1 / 7:1 Fails Fails
Large text needs 3:1 / 4.5:1 Fails Fails
UI component needs 3:1 Fails n/a

Tuscan Red clears WCAG AA against white at 7.30:1, so it is safe for body copy as well as headings. Text placed on it should be white, which gives 7.30:1.

Color vision

How Tuscan Red looks with color blindness

Around 300 million people see color differently from the way it is specified. Each card shows the actual color beside how it appears, and how common that form of vision is.

Protanopia

About 1% of men
actual

#696948

Tuscan Red changes substantially here. ΔE 30.2

No working red cones. Reds darken sharply and drift toward the same muddy olive as green.

Deuteranopia

About 1% of men
actual

#6C7048

Tuscan Red changes substantially here. ΔE 34.3

No working green cones. With the milder deuteranomaly at nearer 6% of men, this is by far the most common form, and the one worth designing around.

Tritanopia

About 1 in 10,000
actual

#7A4848

Tuscan Red holds up almost unchanged here. ΔE 1.0

No working blue cones. Blues shift toward green and yellows toward pink. Rare, and unlike the others it is not sex-linked, so it affects men and women equally.

Achromatopsia

About 1 in 30,000
actual

#565656

Tuscan Red shifts noticeably here. ΔE 24.2

No color vision at all. Also a fair proxy for how the color survives a greyscale print or a failing screen.

To a deuteranope, the most common form, Tuscan Red reads as #6C7048. That is a shift of ΔE 34.3, so it is a different color to roughly one man in sixteen. It sits in the red end of the spectrum, which is exactly where red-green deficiency does its damage. Never pair it with a green of similar lightness to signal a difference in meaning: to a large minority the two become one color. The widest shift is under deuteranopia, at ΔE 34.3. The rule this leads to needs no simulator: never let color be the only thing carrying a message. Add a label, an icon, or a clear difference in lightness, and the problem disappears for everyone.

Snippets

Using Tuscan Red in code

:root {
  --tuscan-red: #7C4848;
}

.example {
  color: var(--tuscan-red);
}